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剧情:
30年前,蒂蒂和迪尔万出现在一个小镇,接管了一座破旧的宅邸,并将其改造成一个古色古香、田园诗般的家,供无家可归者和无处可去的人使用。它在小社区和附近城镇中引起了轰动,尤其是迪尔万从未要求任何付款,并且他采取了巨大的努力和措施为居民提供最好的护理和设施。殊不知,收容所只是另一桩荒唐而又黑暗险恶的生意的幌子。 Titi 和 Dirwan 近 20 年来一直在这项业务中获利。其迷人的外观和热情的款待吸引了毫无戒心的受害者。这个地方非常完美,因为它位于城镇边缘,远离任何人,而且互联网和移动电话服务不可靠。
剧情:
Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema.
Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong.
Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong.
Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
