Vent
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太阳之子Haluk Bilginer的的OnurÜnlü,Ozgu Namal,金属交易所,比伦特额敏柯克萨尔Yarar'ınEngür土耳其在2008年制成膜的主要角色,编剧和导演。
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The film is made up of stories about the residents of a small inland town where believing in paranormal activity is fully accepted.
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六位性感单身男女入住一家汽车旅馆,展开追寻真爱的旅程,却惊讶地发现他们的约炮对象(也就是“暗里寻欢的对象”)也在场。面对旧情欲和新诱惑,还有层出不穷的残酷真相,嘉宾们必须做出抉择:是要加深与暗里寻欢的对象的关系,还是去探索新的情感连结?
《暗里寻欢:深夜试爱实验》是一档大胆新颖的真人秀节目,在这个充满随性约会的世界中,节目将探索更深层次情感联结的可能性。六位性感单身男女入住一家汽车旅馆,追寻真爱的旅程就此开启,然而却意外邂逅了他们的长期约炮对象(也就是“暗里寻欢的对象”)。在主持人克萝伊·维奇(《欲罢不能》、《寻找绝配情人》)和恋爱专家辣妹玛丽的带领下,嘉宾们将经历三个激动人心的阶段,每一阶段都挑战着“暗里寻欢”的游戏规则。面对大胆的挑战和充满乐趣的约会,嘉宾们必须做出抉择:是要与暗里寻欢的对象发展更深的关系,还是寻找新的恋爱可能?又或是,选择一个人离开?当诱惑无处不在、情绪层层升级,感情也开始变得复杂,仅仅是火辣的激情和身体的默契,真的能构建起一段持久又有意义的关系吗?那个你凌晨一点会想起的人,真的是你的真爱吗?还是说,他们只是你通往真爱的障碍?
《暗里寻欢:深夜试爱实验》是一档大胆新颖的真人秀节目,在这个充满随性约会的世界中,节目将探索更深层次情感联结的可能性。六位性感单身男女入住一家汽车旅馆,追寻真爱的旅程就此开启,然而却意外邂逅了他们的长期约炮对象(也就是“暗里寻欢的对象”)。在主持人克萝伊·维奇(《欲罢不能》、《寻找绝配情人》)和恋爱专家辣妹玛丽的带领下,嘉宾们将经历三个激动人心的阶段,每一阶段都挑战着“暗里寻欢”的游戏规则。面对大胆的挑战和充满乐趣的约会,嘉宾们必须做出抉择:是要与暗里寻欢的对象发展更深的关系,还是寻找新的恋爱可能?又或是,选择一个人离开?当诱惑无处不在、情绪层层升级,感情也开始变得复杂,仅仅是火辣的激情和身体的默契,真的能构建起一段持久又有意义的关系吗?那个你凌晨一点会想起的人,真的是你的真爱吗?还是说,他们只是你通往真爱的障碍?
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获奖:2005年意大利电影新闻记者协会银丝带奖提名最佳摄影
2004年戛纳电影节导演双周单元
介绍:卡罗和希尔维娅结婚20年了。卡罗有个年轻的情妇,跟她在同居;而妻子希尔维娅则住在罗马的家中,卡罗只是偶尔经过。夫妻两人间有种强烈的爱怜和深刻的理解,但当希尔维娅也给自己找来个年轻暴力的小情人时,两夫妻的关系到了最紧急的关头。这意味着一场情欲角力赛即将展开。影片片名来自作家offredo Parise的同名小说。
2004年戛纳电影节导演双周单元
介绍:卡罗和希尔维娅结婚20年了。卡罗有个年轻的情妇,跟她在同居;而妻子希尔维娅则住在罗马的家中,卡罗只是偶尔经过。夫妻两人间有种强烈的爱怜和深刻的理解,但当希尔维娅也给自己找来个年轻暴力的小情人时,两夫妻的关系到了最紧急的关头。这意味着一场情欲角力赛即将展开。影片片名来自作家offredo Parise的同名小说。
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Plot Summary from IMDB-com:
Aaah Belinda is one of the many movies produced in the fruitful years of 1980's, with a low budget, not totally & precisely worked on, but still a remarkable one distinguished from the others in the era. The scenario ( and the story ) depends on an original idea, what if our lives change in a second to a totally different one in which we find everything we hate to do. That's not only a bad dream, it is truly a different life and it seems you get used to it. Müjde Ar plays one of her finest characters with some vague silliness. Atif Yilmaz is a master in Turkish cinema, but always struggled with the enormous low budgets and pretty short time the productions are realized. He tried to overcome this situation casting the best actors & actresses and always keeping in mind the scenario is the main element of a movie, that's what keeps the spectators in their seats.
Aaah Belinda is one of the many movies produced in the fruitful years of 1980's, with a low budget, not totally & precisely worked on, but still a remarkable one distinguished from the others in the era. The scenario ( and the story ) depends on an original idea, what if our lives change in a second to a totally different one in which we find everything we hate to do. That's not only a bad dream, it is truly a different life and it seems you get used to it. Müjde Ar plays one of her finest characters with some vague silliness. Atif Yilmaz is a master in Turkish cinema, but always struggled with the enormous low budgets and pretty short time the productions are realized. He tried to overcome this situation casting the best actors & actresses and always keeping in mind the scenario is the main element of a movie, that's what keeps the spectators in their seats.
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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
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劳伦·冈泰将新片[亚瑟·兰博]卡司阵容公布:拉巴·纳伊·乌费拉([生吃])、索菲安·哈米斯([舒夫])、安托万·赖纳茨。本片剧本由范妮·布尔迪诺和塞缪尔·杜伊撰写。故事聚焦探索谁是Karim D?一个想要成功的年轻作家?还是他的别名亚瑟·兰博,他发布的仇恨信息后来在Twitter上被发现。本片现已开拍。
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Moscow, 1902. The famous director Konstantin Stanislavsky, in search of inspiration for staging a new play, decides to get acquainted with the life of the city "bottom". He turns to Vladimir Gilyarovsky, a recognized expert on the Moscow slums, for help. Together they go to the legendary bandit Khitrovka and find themselves embroiled in the investigation of the murder of a mysterious local resident - an Indian Sikh with a dark past.
