Uri
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Andrea had just turned fifteen when he decided to take his life. He seemed to be a happy teenager, with good grades at school and an excellent relationship with his parents. There seemed to be no explanation for what he did, until his mother accessed his Facebook profile and reconstructed the terrifying bullying and cyberbullying her son was going through at school.
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Miss Paob的小说《#ไหนเฮียบอกไม่ชอบเด็ก》/《When Hia Says He Doesn't Like Children》正在由 MFlow Entertainment 改编制作，并举行了选角试镜。 ‘Jun’和他的死敌‘Sorn’彼此都不喜欢，从他们的眼神就可以看出。然而，自从那次事件之后，他们之间的关系发生了巨大的变化。
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Set in a rugged town named Redemption. Reformed gunslinger, Thomas Keller (Dorff) and mad genius Ben (Cage) are guided by spiritual leader Jericho (Mandylor) as they strive for vindication. Confronting his violent history, a brutal bar fight and deadly feud reignites between Thomas, Ben and the notorious Five Points Gang. Now baptised and reborn, Thomas grapples with fresh challenges, testing his newfound peace amidst a town steeped in secrets, violence, and a relentless quest for revenge.
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Based on the true story of teenagers who deliberately inject themselves with HIV to escape the oppression of "Special Period" Cuba.
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The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
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A poor young girl living in Chile with her wheelchair-confined father and four siblings tries to save up enough money to watch movies at her local cinema.
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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.