Tas
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八岁的彼得（伍迪·诺曼 Woody Norman 饰）经常受到来自卧室墙壁内的神秘的、持续的敲墙声的困扰——他的父母坚持认为这种敲击声只是他的想象。随着彼得的恐惧加剧，他相信他的父母可能隐藏着一个可怕、危险的秘密，并逐渐丧失对他们的信任。对于一个孩子来说，还有什么比这更可怕的呢？
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他在出生当晚被十字军偷走，对自己的血统一无所知：他的母亲是一个恶魔；他的父亲是个吸血鬼。在神秘僧侣兄弟会的训练和利用下，他杀死了教会的所有敌人。一天晚上，命运将他带回了父亲的城堡，带着杀死怪物的莱尔特斯之剑，摧毁了吸血鬼弗拉迪斯拉斯，并夺回了一件圣物：血石。那天晚上发生的事情把拉杜从一个贵族变成了一个没有主人的吸血鬼，让他开始了长达数百年的寻找食物和陪伴的旅程，寻找那个从太阳下偷走他的奸诈之人，寻找他希望能给他带来和平的血石。这部备受期待的《亚种》系列前传跨越了吸血鬼拉杜·弗拉迪斯拉斯500年的一生，记录了拉杜从一名教会的贵族战士到一个堕落的夜晚生物的故事。
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No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
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The story of a young, wild woman who doesn't want to compromise and settle down. Stella is a restless, rebellious Greek woman who plays with men and enjoys her life as much as she can. But when she meets a young football player, things get mixed up. She loves him but she loves her freedom too. So it's about time she made an important choice.
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It follows Lara as she seeks treatment from a congregation of zealots, where an exorcist will try to save her soul by making an innocent woman go through hell.
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David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath?
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Uncovered secrets, dirty politics and a good bit of murder drive forward Emilis Vėlyvis’ The Generation of Evil.
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Forensic scientist Lisa is obsessed with the beauty of the human body, and believes that physical love heals, gives relief from the burden of trauma and problems. Therefore, she leads an extremely free lifestyle and quite often enters into casual relationships for one night. But one day on the sectional table in front of Lisa is the body of a girl with whom she spent the night the night before. A photograph of an unknown man is printed on the body of the victim.
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Kiia and Lauri are speeding down a dark country road, anxious to reach the hospital because Kiia has gone into premature labour. Their car hits something. Lauri goes to take a look, and tells his wife he saw nothing. They rush to the hospital, and Kiia gives birth to a healthy baby boy. While in the hospital, Kiia meets Hanna, a woman whose husband is in a coma, the victim of a hit-and-run driver. Kiia befriends Hanna and tries to help her desperately without revealing her role in the accident. When the truth finally dawns, will it be too late to forgive?