Roo
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Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema.
Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong.
Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong.
Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
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当纯情小处男穿越时空,成为一名妇科专家会怎样呢?
亚历克斯是一个17岁的害羞的孩子,他仍然是他的一群朋友中唯一的处男。他多次试图失去童贞,但都皆大欢喜地失败了。有一天他醒来发现自己在另一个环境中,他不再是处男,而是性关系专家和妇科医生。然而,他的老朋友不知道为什么讨厌他,并且 和一群新的人走得很近。此外,一组神秘的图像出现了,这可能会给这个转变发生了什么线索。Alex能解决和老朋友的争吵,解开照片之谜吗?
亚历克斯是一个17岁的害羞的孩子,他仍然是他的一群朋友中唯一的处男。他多次试图失去童贞,但都皆大欢喜地失败了。有一天他醒来发现自己在另一个环境中,他不再是处男,而是性关系专家和妇科医生。然而,他的老朋友不知道为什么讨厌他,并且 和一群新的人走得很近。此外,一组神秘的图像出现了,这可能会给这个转变发生了什么线索。Alex能解决和老朋友的争吵,解开照片之谜吗?
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故事从两个不同寻常的“人类”开始,分别叫做George和Mitchell,他们一个是吸血鬼,一个是狼人,在当地一个不知名的医院里做苦工,他们生活绝望——因为mitchell是吸血鬼,George是狼人。他们决定改过自新,同住在了一起才发现,一个女鬼(Annie)死于神秘的情况并且经常闹鬼。不仅这样,Mitchell认识的几个吸血鬼和Mitchell不同,他们都对人类没有任何怜悯之心,而Mitchell不想这样,于是争端渐起。
三个非人住在一起,打算和人类和平共处,表现得更像是个人类,他们在这条看似不可能的路上到底要怎么走下去?让我们跟随三人的故事一同打开这个神秘世界的大门,通过他们看看我们的世界。
三个非人住在一起,打算和人类和平共处,表现得更像是个人类,他们在这条看似不可能的路上到底要怎么走下去?让我们跟随三人的故事一同打开这个神秘世界的大门,通过他们看看我们的世界。
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曾经的纽约黑手党族长Dwight "The General" Manfredi在服刑25年后从监狱获释,却被自己老大流放去了俄克拉荷马州的塔尔萨。Dwight意识到自己的黑帮家族并没有考虑他的最佳利益,于是他从一群并非自己想象中的人物里,逐渐建立起了一个“团队”,来帮助他在一个彻头彻尾的陌生之地打造一个新的犯罪帝国。
