RA
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
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艾娃是一位受人欢迎的教师，她的丈夫是当地的市长。尽管他背叛了她的信任，她仍然计划支持他的竞选活动，因此她开始在当地的一个难民中心做志愿者。在这里，她与18岁的难民阿米尔亲近起来，他的诗歌才华深深吸引了她。然而，他们越走越近，她对局势的掌控就越少。这部关于禁忌之爱的戏剧《别叫我妈妈》让主角们面临道德考验，同时挑衅性地探讨了虚伪如何伪装成慷慨。充分利用了自己作为选角导演的经验，尼娜·克纳格从演员皮娅·蒂耶塔、克里斯托弗·约纳和塔雷克·扎亚特那里得到了出色的表现。
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一位当红女博主后知后觉地发现，在网上分享生活虽有光鲜的红利，却也伴随着可怕的代价。在不断寻求外界认同的旅途中，她所渴望的答案，或许只需通过正面迎接真实世界便能找到。
法蒂玛（Fatima Regala）在一家销售韩国化妆品的公司担任社交媒体运营，为了弥补平淡乏味的现实生活，她通过经营一个颇具名气的博主账号来获取心理补偿。
法蒂玛（Fatima Regala）在一家销售韩国化妆品的公司担任社交媒体运营，为了弥补平淡乏味的现实生活，她通过经营一个颇具名气的博主账号来获取心理补偿。
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College sweethearts, Ayla and Paolo, decided to drop out of school and raise a family after a brief whirlwind romance led them to an unplanned pregnancy. Four years later, the couple painfully discovers that their son, Kali, is diagnosed with autism. The couple faces the bitter reality of raising a child with special needs in a country that has become less than ideal – challeng...
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Migrant Nina takes a hotel job in the Maldives, but her island paradise turns nightmarish after an incident. Falsely accused, she must evade traps to escape her unjust life sentence.