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The storyline tells of how 42-year-old Teresa changes her holiday plans and spends the summer with her mother, Ani. However, living together day and night after so many years is not easy for either of them. Used to living alone, it’s hard for them to agree on even the most trivial of things. Nevertheless, this enforced cohabitation will also bring certain revelations for both of them.
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The first episodes were shot in 1922 and found an end in 1944. Totally there are 221 single episodes. A complete catalog of all episodes you will find at "All movies of Our Gang / The Little Rascals at a glance". A small picture gallery you can find under "Gallery".
The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard.
The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye.
The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness.
The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork.
Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement.
In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences.
When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944.
Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.
The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard.
The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye.
The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness.
The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork.
Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement.
In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences.
When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944.
Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.
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Katherine of Alexandria, brought up as a nomad and living in the desert, was aged just 11 when Emperor Maxentius saw her whilst out on patrol. Consumed by her beauty, impudence and uncanny talent for languages, he abducted the child, killing her family. The slaughter was witnessed by her young friend, Constantine, who would later become Emperor of the Western Roman Empire. He never lost hope of finding Katherine. As a young woman, Katherine refused to submit to Maxentius' offers of marriage and she continually denounced his brutal enforcement of pagan religion upon the masses. Still obsessed with her beauty, Maxentius brought Katherine before 50 of Rome's finest scholars in an open court in Alexandria, where she eloquently demolished their arguments. When Constantine learned of Katherine's whereabouts and imprisonment at the hands of Maxentius, he led his army from York in a desperate bid to save her.
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在父亲早逝后，一个小男孩与丧夫的继母一起生活在一幢乡间别墅里，继母沉浸在一种难以言喻的伤痛中，导致两人本就脆弱的亲情面临崩溃的危险。不久之后，小男孩开始听到走廊里回荡着令人不安的声音，并很快就被一个长相与他父亲十分相似的怪异生物所困扰。继母告诉男孩这一切都是他自己的想象，但当这个怪异生物开始制造事端后他们的生活开始失控。
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Struggling to fit in in her new school and reeling from the fallout of her parent’s recent divorce, lonely LA high schooler Jane falls in with a rambunctious crowd, and becomes smitten with their charming drug supplier, Jamie. Jane’s thrilling, new, drug-fueled popularity soon spirals downward into the dark and ugly, her family helpless to pull her out of a world she’s reluctant to leave.
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玛丽埃特（凯·弗朗西斯 Kay Francis 饰）是个腰缠万贯作风轻浮的漂亮寡妇，经营着一间公司。一次偶然中，她和一个名叫里瓦尔（赫伯特·马歇尔 Herbert Marshall 饰）的男人相识了。里瓦尔英俊潇洒风流倜傥，玛丽埃特很快就被他的魅力所征服，雇佣他成为了自 己的私人秘书，这正是里瓦尔所梦寐以求的。
原来，里瓦尔系化名，这个风度翩翩的男人的真实身份是一名国际大盗，他和曾经的情人莉莉（米利亚姆·霍普金斯 Miriam Hopkins 饰）联手，企图将玛丽埃特的财产据为己有。公司董事长阿道夫（C·奥布雷·史密斯 C. Aubrey Smith 饰）察觉了里瓦尔的阴谋并告诉了玛丽埃特，可玛丽埃特并不相信他的忠告，里瓦尔的阴谋眼看就要得逞。
原来，里瓦尔系化名，这个风度翩翩的男人的真实身份是一名国际大盗，他和曾经的情人莉莉（米利亚姆·霍普金斯 Miriam Hopkins 饰）联手，企图将玛丽埃特的财产据为己有。公司董事长阿道夫（C·奥布雷·史密斯 C. Aubrey Smith 饰）察觉了里瓦尔的阴谋并告诉了玛丽埃特，可玛丽埃特并不相信他的忠告，里瓦尔的阴谋眼看就要得逞。
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阴间大法师（迈克尔·基顿 Michael Keaton 饰）回来了！在发生一场意想不到的家庭悲剧后，迪兹家族的三代家人又回到冬河镇的家中。丽迪亚（薇诺娜·瑞德 Winona Ryder 饰）仍然受到阴间大法师的纠缠，当她叛逆的女儿阿斯特丽德（珍娜·奥尔特加 Jenna Ortega 饰）在阁楼发现了神秘的小镇模型，以及通往阴间的入口不小心被打开之后，她的生活就被搞得天翻地覆。当阴间和阳间开始出现麻烦时，迟早会有人说出阴间大法师的名字三次，然后这个调皮捣蛋的恶魔就会回来，释放他独特的混乱力量。