Noi
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WeTV 与 Dee Hup House合作新项目
梦中的人和现实中的人除了脸之外没有任何共同点,眼神、笑容、气息都完全不同,但即便如此,却有 一丝感觉像是同一个人。
在第六个月和第十二个月的最后一晚,Ai会梦见他一生中发生的事情,而那些事件往往是真实发生的。
只有一件事他从未梦想过,那就是爱情。
但在年底的一个晚上,在他的梦中,他看到了自己拥有着温暖的爱情生活,和一个对他最温柔的人在一起。
我不敢相信那个人会是「P'Yu」,一个隔壁的哥哥 ,他经常会打扰Ai,与梦中的人完全相反,尽管他的脸很臭,但在梦里,不知不觉中Yu慢慢地进入了Ai的心底。
改编自作者Afterday's的同名小说。
梦中的人和现实中的人除了脸之外没有任何共同点,眼神、笑容、气息都完全不同,但即便如此,却有 一丝感觉像是同一个人。
在第六个月和第十二个月的最后一晚,Ai会梦见他一生中发生的事情,而那些事件往往是真实发生的。
只有一件事他从未梦想过,那就是爱情。
但在年底的一个晚上,在他的梦中,他看到了自己拥有着温暖的爱情生活,和一个对他最温柔的人在一起。
我不敢相信那个人会是「P'Yu」,一个隔壁的哥哥 ,他经常会打扰Ai,与梦中的人完全相反,尽管他的脸很臭,但在梦里,不知不觉中Yu慢慢地进入了Ai的心底。
改编自作者Afterday's的同名小说。
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When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
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The story of L’Amour et les forêts revolves around Blanche. When she first crossed paths with Greg, she thought she’d found the one she’d been looking for. They quickly formed an attachment, but their relationship is marred by Greg’s quick temper. Blanche ignores her niggling doubts and distances herself from her family and twin sister, convinced that she’s reinventing herself. And little by little, she finds herself caught in the trap of a possessive and dangerous man. A man she’s too ashamed and frightened to report. Because there are only two possible exit routes from control: either the victim breaks free or they fall apart…
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发生在英国伦敦一个课堂里的故事。这个课程是教外国人学英语。想象一下一个课堂里有一个意大利人,一个希腊人,一个西班牙人,一个日本人,一个中国女孩,一个印度女孩,一个巴基斯坦人,一个印度锡克人,哦,还有一位法国女郎,他们的英语都不太好...
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这次多了两个学生,来自匈牙利的Zoltan和来自瑞典的Ingrid美女。
Danialle的万人迷地位受到威胁,Mr.Brown又多了两个头疼的学生
笑料接连不断
Danialle的万人迷地位受到威胁,Mr.Brown又多了两个头疼的学生
笑料接连不断
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"The One Hundred" tells the story of a young woman who has just returned from a foreign country. She has to stay at a hotel to quarantine, but then suddenly comes across a monster that can change its shape in a variety of ways, according to the individual that this monster possesses. The concept of the story was inspired by the story of Battambang which was told during the reign of King Rama V.
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发生在英国伦敦一个课堂里的故事。这个课程是教外国人学英语。想象一下一个课堂里有一个意大利人,一个希腊人,一个西班牙人,一个日本人,一个中国女孩,一个印度女孩,一个巴基斯坦人,一个印度锡克人,哦,还有一位法国女郎,他们的英语都不太好...
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一场猛烈的暴风雨后,海水里出现了不知从何处飘来的少女。救生员杰西•帕克把她救起来,送到了当地医生克莱默家里。这个自称叫克里斯蒂娜•尼克森的女孩说自己是来找在这里生活过的母亲的。很快,大家都喜欢上了这个美丽的金发女孩,尤其是她的救命恩人杰西。慢慢地,克里斯蒂娜发现了母亲在这里失踪的事实,也发现这个表面平静的小镇中,隐藏着很多很多秘密。原来,她是魔鬼与人类女子生下的孩子,当她觉醒时,会获得无比强大的力量。整个世界也将陷入黑暗的深渊。在魔鬼的代理人,神秘有富有魅力的男子鲍伊德的引诱下,在小镇中人们的恐惧与背叛中,克里斯蒂娜挣扎在光明与黑暗之间。世界就看这个女孩的内心了。
