Niel
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该剧改编自真实事件。1988年12月21日，伦敦飞往纽约的泛美航空103号班机遭遇恐怖袭击，造成259名乘客和机组人员丧生，另有11名洛克比当地居民死亡。Jim Swire博士（科林·费尔斯 Colin Firth 饰）的女儿也在洛克比空难中遇难，他被提名为英国受害者家属的发言人，竭尽全力调查空难真相。
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丽姿（杰奎琳·比塞特 Jacqueline Bisset 饰）和梅丽（坎迪斯·伯根 Candice Bergen 饰）是一对挚友，自1959年毕业后，她们分别踏上了各自的人生之路，各自经历了职业生涯的起伏。丽姿热爱写作，她连续发表了多部备受公众认可的作品，因而在文坛上迅速崭露头角，享有盛誉。而梅丽则在嫁给曾与丽姿有过恋情的同学道格后，也开始涉足写作领域。身居加州马里布的她有机会与好莱坞明星们交往，用她细腻的笔触记录了与这些明星交往的点滴。
当丽姿的文学创作进入低谷，由于宣传过激的政治思想而被列入黑名单时，梅丽抓住机会，开始在文坛崭露头角，她的处女作备受好评。从此以后，这两位老友开始了人生之路上的竞争与坎坷。她们在事业上的竞争和生活中的曲折经历，构成了一个充满起伏和变化的故事。
当丽姿的文学创作进入低谷，由于宣传过激的政治思想而被列入黑名单时，梅丽抓住机会，开始在文坛崭露头角，她的处女作备受好评。从此以后，这两位老友开始了人生之路上的竞争与坎坷。她们在事业上的竞争和生活中的曲折经历，构成了一个充满起伏和变化的故事。
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Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed.
Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career
Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career
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BBC台和Peter Moffat的野心之作The Village在提名了三项BAFTA奖之后进入第二季，匹克地区的小村故事告别了艰难惨痛的一战，带着隐隐作痛的旧伤口拥抱欢快的爵士乐时代。新的时代带来新的技术和对政治、爱情、性的不同观念，冲击着村民的日常生活。爱因斯坦、玛丽•斯特普、无线通讯、电力、真空吸尘器、包装薯片和查尔斯顿舞夹杂在源源不断的新事物中涌入小村，工党第一次执政，雪莱的"Ye are many, they are few"铿锵在耳，仿佛万事皆有可能。年轻的Bert走出单相思初尝爱情的甜蜜；Grace Middleton寻找能代表劳动者和女性的政治声音；Edmund Allingham追逐权力并和另一位男性陷入爱河；村里迎来了第一位黑皮肤的访客；学校的教室里的也孕育着爱情之花……且看这场社会变革如何通过一个平凡村庄的故事展现。(豆瓣John Simm小站）
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Emi must deal with his magician parent's disappearance after a trick spirals out of control.
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For 27-year-old Ben (Josh Lawson), life couldn’t be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex (Rachael Taylor) and Jim (Ed Kavalee) in talking about their personal achievements, something goes wrong. Ben is the only speaker not to be asked a question by the school kids. This triggers a year of soulsearching and looking for answers in all the wrong places.
From his best friend Andy (Christian Clark) whose solution is that they both take another holiday, to his mentor Sam (Lachy Hulme) who loans him a sports car in the belief that there’s nothing like excessive speed to resolve emotional turmoil. Not even Ben’s father (Rob Carlton) or friends Nick (Daniel Henshall) and Em (Felicity Ward) can offer much in the way of meaningful guidance.
Of course, it’s not easy seeking enlightenment in nightclubs, or on the ski fields of New Zealand, and when you start dating a Russian tennis star things can get really complicated. As the poster boy for a generation desperate to tick every box, Ben begins to suspect that the meaning of life may well reside in the things he's already doing - and a girl he used to know.
From his best friend Andy (Christian Clark) whose solution is that they both take another holiday, to his mentor Sam (Lachy Hulme) who loans him a sports car in the belief that there’s nothing like excessive speed to resolve emotional turmoil. Not even Ben’s father (Rob Carlton) or friends Nick (Daniel Henshall) and Em (Felicity Ward) can offer much in the way of meaningful guidance.
Of course, it’s not easy seeking enlightenment in nightclubs, or on the ski fields of New Zealand, and when you start dating a Russian tennis star things can get really complicated. As the poster boy for a generation desperate to tick every box, Ben begins to suspect that the meaning of life may well reside in the things he's already doing - and a girl he used to know.
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A renowned painter who rose from an impoverished past, must confront his once highly abusive addict father, La’Ron, after 15 years of distance between them. Although La’Ron claims to have been reformed by his new relationship with Christ, their reconnection stirs up buried trauma, launching Tarrell into incendiary anxiety, and sending destructive shockwaves through the family. Tarrell must decide if he’s able to forgive, or if he will cut off his father forever.