Ena
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影片改编自科林·胡佛2022年出版的畅销小说，讲述一段关于母性、宽恕，以及爱的力量是如何修复最严重错误的动人旅程。
在和男友有一次看似完美的约会之后，肯娜（麦卡·梦露 饰）犯下一个无法弥补的错误，使她被送进监狱。七年后，她回到怀俄明州的家乡，希望能够重新建立她的人生，并且争取与她从未见过的女儿蒂恩母女团圆的机会。
当拥有蒂恩监护权的祖父母坚决拒绝让肯娜见她的女儿时，她却意外地在一位前美式足球球员以及当地酒吧老板的雷杰（泰里克·威瑟斯 饰）身上找到意想不到的同情心以及更真实和深切的情感。随着他们的秘密恋情逐渐发展，他们两个人也面对越来越多的危险，这把肯娜逼向心碎的边缘，然而，最终也让她有希望得到第二次机会。
在和男友有一次看似完美的约会之后，肯娜（麦卡·梦露 饰）犯下一个无法弥补的错误，使她被送进监狱。七年后，她回到怀俄明州的家乡，希望能够重新建立她的人生，并且争取与她从未见过的女儿蒂恩母女团圆的机会。
当拥有蒂恩监护权的祖父母坚决拒绝让肯娜见她的女儿时，她却意外地在一位前美式足球球员以及当地酒吧老板的雷杰（泰里克·威瑟斯 饰）身上找到意想不到的同情心以及更真实和深切的情感。随着他们的秘密恋情逐渐发展，他们两个人也面对越来越多的危险，这把肯娜逼向心碎的边缘，然而，最终也让她有希望得到第二次机会。
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奎妮·米尔斯和马塞尔·班克斯一直是最完美的一对——只不过不是那种意义上的完美搭档。作为一生的挚友，他们携手走过人生百态，始终保持着纯粹的友谊。然而，在奎妮于迈阿密举办的盛大艺术首展的狂欢之夜后，两人醒来发现自己睡在同一张床上，他们的友谊也随之发生了翻天覆地的变化。在欢笑、暧昧的眼神和害怕失去彼此的恐惧交织中，奎妮和马塞尔必须弄清楚，他们是否无意间毁掉了一切——或者，他们是否终于找到了命中注定的归宿。——考特尼·阿莱特
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In a small mountain village about to be developed into a luxury golf estate, a young woman has to make the choice: go to the city to become a ‘success’ in life, or take over her grandfather’s rooibos farm.
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Burnt-out trans activist Caz returns to the rural dairy community he fled before transition, to reconnect with his father. As father and son reconcile, Caz finds new purpose, spearheading the town's environmental fight against 'Big Dairy'.
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How much is contained in these two words-irritation, tenderness, laughter, love. And a little shame, when she knows everything about you. Even what you yourself have forgotten. This film is about all mothers and for all of us.
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In modern-day Metro Manila, a diverse group of Filipinos faces life's lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
