Ane
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《深海异形》是迪士尼于2005年1月所推出的一部纪录片，是一部IMAX-3D立体电影。本片全片在太平洋和大西洋深海拍摄，令人惊叹的画面经过先进的电影技术处理，再配合以IMAX-3D立体电影方式呈现，在大银幕上带领观众历经一段奥妙的旅程……
《深海异形》是由奥斯卡金像奖大导演James Cameron所执导，他因为拍摄了1997年的《泰坦尼克号》缔造事业高峰，之后对拍摄探险纪录片就颇有兴趣，先在2003年推出了同样是一部IMAX -3D立体电影的《深渊幽灵》，这是一部重返泰坦尼克号沉船残骸的纪录片，同样是由迪士尼电影所发行，在大受好评之后，于2005年James Cameron再度推出这一部全新制作的《深海异形》……
片中大胆提出许多假设，认为深海中的生物造型十分类似想象中的外层空间生物，因此有没有可能生活在深海中的奇特生物，就是来自外层空间来的异形？例如，该处有身长六呎的长虫，身上有血红色的触管，但却没有胃；还有专门在炙热的地热孔觅食的虾子，以及全盲的白螃蟹…等等
奥斯卡金像奖导演詹姆斯·卡梅隆率领他的那帮天才电影人再次将激情注入到深邃无敌的大海中。不过，这回既不是“泰坦尼克号”客船也不是“俾斯曼号”战船。而是受太空生物学灵感的启发，卡梅隆将兴趣的触角伸向了海洋的另一个世界―深海异形。
在美国宇航局(NASA)科学家的帮助下，摄制组前往太平洋和大西洋几万英尺的海洋深处，去挖掘和发现那里所隐藏着的无穷无尽的奥秘。一直深入到海底，这就是一个产生异形的世界。这里没有阳光，海底火山的岩浆喷口使得地表是沸腾灼热。正是这样特殊的环境创造了许多最稀奇古怪的水下生灵，比如有种6英尺长的虫子，身上布满了红色的血管，可是它却没有消化器官；全盲的白色螃蟹和短脚的蜂窝虾有着不可思议的本领，它们凭感觉就可以辨别正确的方位去取暖和觅食。这些深海异形所生存的封闭环境和地球上其他物种的非独立生态系统完全不同。它们使卡梅隆产生这样的联想：这种生命的形式还会存在于外太空吗？
卡梅隆与NASA的科学家、海洋生物学家们所经历的奇妙海底探险不仅拜访了深海异形，而且还对人类未来探索外太空提出了伟大的假设。
《深海异形》是由奥斯卡金像奖大导演James Cameron所执导，他因为拍摄了1997年的《泰坦尼克号》缔造事业高峰，之后对拍摄探险纪录片就颇有兴趣，先在2003年推出了同样是一部IMAX -3D立体电影的《深渊幽灵》，这是一部重返泰坦尼克号沉船残骸的纪录片，同样是由迪士尼电影所发行，在大受好评之后，于2005年James Cameron再度推出这一部全新制作的《深海异形》……
片中大胆提出许多假设，认为深海中的生物造型十分类似想象中的外层空间生物，因此有没有可能生活在深海中的奇特生物，就是来自外层空间来的异形？例如，该处有身长六呎的长虫，身上有血红色的触管，但却没有胃；还有专门在炙热的地热孔觅食的虾子，以及全盲的白螃蟹…等等
奥斯卡金像奖导演詹姆斯·卡梅隆率领他的那帮天才电影人再次将激情注入到深邃无敌的大海中。不过，这回既不是“泰坦尼克号”客船也不是“俾斯曼号”战船。而是受太空生物学灵感的启发，卡梅隆将兴趣的触角伸向了海洋的另一个世界―深海异形。
在美国宇航局(NASA)科学家的帮助下，摄制组前往太平洋和大西洋几万英尺的海洋深处，去挖掘和发现那里所隐藏着的无穷无尽的奥秘。一直深入到海底，这就是一个产生异形的世界。这里没有阳光，海底火山的岩浆喷口使得地表是沸腾灼热。正是这样特殊的环境创造了许多最稀奇古怪的水下生灵，比如有种6英尺长的虫子，身上布满了红色的血管，可是它却没有消化器官；全盲的白色螃蟹和短脚的蜂窝虾有着不可思议的本领，它们凭感觉就可以辨别正确的方位去取暖和觅食。这些深海异形所生存的封闭环境和地球上其他物种的非独立生态系统完全不同。它们使卡梅隆产生这样的联想：这种生命的形式还会存在于外太空吗？
卡梅隆与NASA的科学家、海洋生物学家们所经历的奇妙海底探险不仅拜访了深海异形，而且还对人类未来探索外太空提出了伟大的假设。
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The new series is going to be entitled The Tower II: Death Message and is based on Kate London’s brilliant second novel of the same name. It is being adapted by screenwriter Patrick Harbinson (Homeland, Fearless, 24, ER) and produced by his company Windhover Films and production company Mammoth Screen.
The series opens with Lizzie (Tahirah Sharif) returning to Farlow station where her boss and former lover, DI Kieran Shaw (Emmett J Scanlan), partners her with Arif Johar (Michael Karim). Their first call is to a domestic violence complaint against Mark Brannon, who is accused of beating up his girlfriend, Georgina Teel, and terrorising their young daughter Skye.
Lizzie persuades Georgina to tell the truth about what Brannon has done to her, enabling Lizzie and Arif to arrest him. However, once the case gets to court, Lizzie finds herself cross-examined on the stand, leaving the whole case on a knife-edge.”
Sarah knows that Fedden has handed her an impossible challenge, but she throws herself into it with typical determination and thoroughness. And, gradually, perhaps helped by the fact that she too was a teenager of Tania’s age back in 1997, she begins to uncover clues that previous investigations had overlooked. At the end of the first episode, Sarah’s investigations take a further twist, which means she and Lizzie cross paths again.
The series opens with Lizzie (Tahirah Sharif) returning to Farlow station where her boss and former lover, DI Kieran Shaw (Emmett J Scanlan), partners her with Arif Johar (Michael Karim). Their first call is to a domestic violence complaint against Mark Brannon, who is accused of beating up his girlfriend, Georgina Teel, and terrorising their young daughter Skye.
Lizzie persuades Georgina to tell the truth about what Brannon has done to her, enabling Lizzie and Arif to arrest him. However, once the case gets to court, Lizzie finds herself cross-examined on the stand, leaving the whole case on a knife-edge.”
Sarah knows that Fedden has handed her an impossible challenge, but she throws herself into it with typical determination and thoroughness. And, gradually, perhaps helped by the fact that she too was a teenager of Tania’s age back in 1997, she begins to uncover clues that previous investigations had overlooked. At the end of the first episode, Sarah’s investigations take a further twist, which means she and Lizzie cross paths again.
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一个电影摄制组在法国小城毕加索选了四个“问题青少年”担任主要演员，引发社区居民的质疑。这是导演丽丝·阿科卡和罗曼·格雷特以短片《皇室狩猎》叩开戛纳电影节大门后的第一部剧情长片。影片采用戏中戏手法，启用非职业演员，将他们的个体经历采编进剧本，构建起虚实交错的立体结构推进剧情，提出电影作为媒介应如何引导现实思考的问题，并在片中呼吁关注问题青少年的问题源头。荣获2022年戛纳电影节一种关注单元大奖及2022年平遥国际电影展卧虎单元最受欢迎影片。
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勒布朗·詹姆斯将联合马弗里克·卡特（《勒布朗一家》《星路多懊悔》）和摩根·史柏路克（《麦胖报告》）打造新系列纪录片，聚焦他在家乡阿克伦城开办的一所公立学校，致力于帮助危难中的儿童。
该片目的为了探索勒布朗家族基金会开展的“I Promise School” 公益活动所带来的的挑战、成就以及改变一生的影响，讲述在开学第一年内，老师、指导员等合作者为学生们创造奋斗环境、开班课程等经历。即将在阿克伦城开拍。
该片目的为了探索勒布朗家族基金会开展的“I Promise School” 公益活动所带来的的挑战、成就以及改变一生的影响，讲述在开学第一年内，老师、指导员等合作者为学生们创造奋斗环境、开班课程等经历。即将在阿克伦城开拍。
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A 70th anniversary television event, Singapore 1942- End of Empire tells the story of those early shocking days of the Pacific War when belief in security and comfort from empire collapsed. For the first time this momentous 20th century battle, and its equally dramatic aftermath, will be told from a multi-national perspective, revealing new and challenging insights into a battle that turned our world upside down. Whilst the Japanese victory confirmed how useless it was for Australians to rely on Britain for their defence, post-war Australians looked to another great protective power - the United States - to align itself with. And Asian nations would rapidly determine their own destiny and seek a tumultuous independence.
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In 1974, the Portuguese and their descendants fled Angola where nationalist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a Portuguese soldier. Then, a Portuguese squad is barracked inside a wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.
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Goes behind the scenes and onto the pitch of the groundbreaking Los Angeles-based professional women's soccer team, Angel City Football Club. Follows the origin story through the 2022 inaugural season of the female-founded and led team.
