Ait
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Travelers looking for lodging. They then found the Melati Inn and became guests there. Until one day they realized that if they were in there, they would never get out again.
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No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.
There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?
Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
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任性而坚定的奥利维亚·温菲尔德与她心爱的父亲一起工作时，意外地被美国最富有的单身汉之一马尔科姆·福克斯沃斯求爱。 在经历了一场旋风般的浪漫之后，奥利维亚成为富丽堂皇的福克斯沃斯庄园的女主人，但她很快发现自己所期待的童话般的生活变成了一场噩梦。本作为电影《阁楼里的花》前传。
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The new series is going to be entitled The Tower II: Death Message and is based on Kate London’s brilliant second novel of the same name. It is being adapted by screenwriter Patrick Harbinson (Homeland, Fearless, 24, ER) and produced by his company Windhover Films and production company Mammoth Screen.
The series opens with Lizzie (Tahirah Sharif) returning to Farlow station where her boss and former lover, DI Kieran Shaw (Emmett J Scanlan), partners her with Arif Johar (Michael Karim). Their first call is to a domestic violence complaint against Mark Brannon, who is accused of beating up his girlfriend, Georgina Teel, and terrorising their young daughter Skye.
Lizzie persuades Georgina to tell the truth about what Brannon has done to her, enabling Lizzie and Arif to arrest him. However, once the case gets to court, Lizzie finds herself cross-examined on the stand, leaving the whole case on a knife-edge.”
Sarah knows that Fedden has handed her an impossible challenge, but she throws herself into it with typical determination and thoroughness. And, gradually, perhaps helped by the fact that she too was a teenager of Tania’s age back in 1997, she begins to uncover clues that previous investigations had overlooked. At the end of the first episode, Sarah’s investigations take a further twist, which means she and Lizzie cross paths again.
The series opens with Lizzie (Tahirah Sharif) returning to Farlow station where her boss and former lover, DI Kieran Shaw (Emmett J Scanlan), partners her with Arif Johar (Michael Karim). Their first call is to a domestic violence complaint against Mark Brannon, who is accused of beating up his girlfriend, Georgina Teel, and terrorising their young daughter Skye.
Lizzie persuades Georgina to tell the truth about what Brannon has done to her, enabling Lizzie and Arif to arrest him. However, once the case gets to court, Lizzie finds herself cross-examined on the stand, leaving the whole case on a knife-edge.”
Sarah knows that Fedden has handed her an impossible challenge, but she throws herself into it with typical determination and thoroughness. And, gradually, perhaps helped by the fact that she too was a teenager of Tania’s age back in 1997, she begins to uncover clues that previous investigations had overlooked. At the end of the first episode, Sarah’s investigations take a further twist, which means she and Lizzie cross paths again.
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Addie tries to get her village to make a memorial to the women who were put on trial for witch craft there. Can she challenge the way her community see her and her family?
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Uncovered secrets, dirty politics and a good bit of murder drive forward Emilis Vėlyvis’ The Generation of Evil.
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An immigrant Indian mother's battle against the Norwegian foster care system and local legal machinery to win back the custody of her children.
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动画短篇集《星球大战：幻境》第二季由卢卡斯影业携手多国动画制作团队参与制作，将在2023年春上线Disney+。