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Based on the book by the same name, the film tells the inspiring story of a 12-year-old boy, who, separated from his family by a fast moving storm, must fight to stay alive during his nine-day adventure lost in the backwoods of Maine.
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电影根据蕾切尔·约德的同名小说《夜母》改编，原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家，在全职照顾孩子时越发孤独焦虑的故事。在她眼里，自己从来都不是一个母亲，既然现在成了母亲，就一定要成为快乐的那个。经过多番努力与尝试后，她发现只有变身母狗可以实现这一愿望。
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strong childhood bond between two girls grows into something more. As they explore their bodies, Pin and Aya soon learn that their feelings for each other are beyond friendship. With their friendship at stake, will they risk it all?
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Long out of circulation, Deep Throat Part II was conceived as a soft-core sequel to the highly successful Deep Throat. The film was written and directed by sexploitation virtuoso Joe Sarno and shot on 35mm in the New York City area in early 1973. It was released in the U. S. in early 1974 with an MPAA "R" rating and quickly disappeared; porn journalist Al Goldstien, writing in Screw, called it "the worst film I have ever seen." The existing U. S. version of the film now on DVD is bowdlerized; the Italian DVD release version contains the film's original soft-core sex scenes. There has long been an urban legend that the film was shot hardcore and that the hardcore sex scenes were "stolen" while the film was in post-production; this claim seems extremely dubious and director Joe Sarno himself has insisted in interview that only soft-core sex scenes were shot for the film. Deep Throat Part II is Linda Lovelace's second feature film (she only officially starred in three). A young Judy Tenuta (comedienne) has a walk-on cameo. The film is one of Sarno's rare comic efforts and contains an unusually polished soundtrack featuring tunes written by, among others, former members of Jay and the Americans.
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三位警探竞相抓住一群淘气的门廊海盗,找回市长最珍贵的帽子宝宝,同时还在应付他们自己的假日混乱。在这个欢乐的冒险中,跟踪三个专门的侦探杰克泰勒,马科斯费尔南德斯和萨莉琼斯,当他们开始逮捕一个邪恶的走廊海盗团伙的任务。这些侦探不仅是为了保护节日精神,而且是为了应对自己生活中的挑战。杰克·泰勒警探以其活泼家庭的起起落落来应付他要求很高的职业生涯。泰勒家族为侦探们寻求恢复被偷走的圣诞节快乐提供了一个滑稽的背景。杰克的姐夫马科斯·费尔南德斯警探是一位在节日期间挣扎的鳏夫。失去了心爱的配偶,他发现再次拥抱圣诞精神是一个挑战。在他们追捕门廊海盗的过程中所发生的事件会帮助他重新发现节日的快乐,并治愈他受伤的心吗?"门廊海盗"作为一个令人激动的猫和老鼠游戏展开,当侦探们接到来自市长官邸的求救电话时。一个极有价值的帽子宝宝被从市长的门廊上抢走,给镇上的圣诞庆祝活动投下了阴影。有了这个压力,我们勇敢的三人警探们能在圣诞节前把这个珍贵的帽子宝宝带回来吗?加入我们的旅程,充满了诙谐的玩笑,意想不到的曲折,以及一点节日的魔力。"门廊海盗"是一个温馨的故事,它提醒我们,圣诞节的真正精神在于聚会的欢乐,欢笑,以及追求完美的礼物-即使这有点不同寻常。
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15 岁的男孩布鲁诺与母亲和弟弟住在巴西的一个小镇上。某天，他从眼科医生那里得知自己患了眼病，即将失明。与此同时，他也正在经历青春期的困惑和苦痛。哈罗德·博尔赫斯独立执导的首部作品，他从1300 多名试镜者中选拔出小演员，在他们的合作中，重新设计了部分场景，并修改了剧本，赋予电影更多的现实主义元素。而演员也通过其自然清新的演技，将主人公面对悲惨未来时苦乐参半的情感演绎得颇为真实，共同成就了一部具有纪录片风格的成长电影。荣获2022年马德普拉塔电影节国际竞赛单元最佳影片奖。
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The first episodes were shot in 1922 and found an end in 1944. Totally there are 221 single episodes. A complete catalog of all episodes you will find at "All movies of Our Gang / The Little Rascals at a glance". A small picture gallery you can find under "Gallery".
The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard.
The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye.
The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness.
The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork.
Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement.
In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences.
When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944.
Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.
The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard.
The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye.
The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness.
The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork.
Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement.
In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences.
When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944.
Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.
