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Burnt-out trans activist Caz returns to the rural dairy community he fled before transition, to reconnect with his father. As father and son reconcile, Caz finds new purpose, spearheading the town's environmental fight against 'Big Dairy'.
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The Inquisitor tells the story of Barbara Jordan, an American politician, lawyer, educator, and public servant. Jordan’s ethical principles and interrogational skill served the United States at pivotal points in history, from the revision of the Voting Rights Act to the 1987 Supreme Court nomination hearings of Robert Bork.
During the impeachment hearings of President Nixon in ...
During the impeachment hearings of President Nixon in ...
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Tyler is launching his YouTube channel with a fun sensory challenge alongside his best friend Oliver. In the video, they attempt to guess each other’s cologne and lip balm scents. As the challenge unfolds, Tyler and Oliver confront hidden romantic feelings for each other, transforming their playful experiment into a heartwarming and joyful moment.
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.