Åke
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奎妮·米尔斯和马塞尔·班克斯一直是最完美的一对——只不过不是那种意义上的完美搭档。作为一生的挚友，他们携手走过人生百态，始终保持着纯粹的友谊。然而，在奎妮于迈阿密举办的盛大艺术首展的狂欢之夜后，两人醒来发现自己睡在同一张床上，他们的友谊也随之发生了翻天覆地的变化。在欢笑、暧昧的眼神和害怕失去彼此的恐惧交织中，奎妮和马塞尔必须弄清楚，他们是否无意间毁掉了一切——或者，他们是否终于找到了命中注定的归宿。——考特尼·阿莱特
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Give Me Back My Daughter tells the story of Renee (Gabourey Sidibe) and her daughter, Imani (Cadence Reese), who are left homeless after Renee loses her job and they are evicted from their home. Determined to stay independent, Renee refuses any public assistance, but her desperation leads to a difficult decision: leaving her daughter, in the car during a job interview, which re...
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GG, an acronym for "good game," centers around Seth, a determined aspiring gamer who immerses himself in the world of video games who gets into a "competitive barkada gaming" while navigating the various challenges within his own family.
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19岁的乔安娜（托蕊·斯培林 Tori Spelling 饰）是一名正在大学里深造的女学生，个性腼腆内向的她一心只读圣贤书，从不关心外面的花花世界发生了怎样翻天覆地的变化。一天，乔安娜的好友告诉她，有一份神秘的工作可以给她带来非常可观的收入，而且只需要付出非常少的一点点代价，那就是成为应召女郎。
没有经受住金钱诱惑的乔安娜下海了，就此开始了她的双面人生。刚开始，乔安娜仿佛打开了新世界的大门一般，新鲜感暂时驱散了不安，渐渐地，乔安娜发掘出了在自己身上埋藏至深的女性魅力，在恩客们之间名声大噪。这段经历除了带给乔安娜心境上的急速变化之外，也给她的生活带来了不少的麻烦。
没有经受住金钱诱惑的乔安娜下海了，就此开始了她的双面人生。刚开始，乔安娜仿佛打开了新世界的大门一般，新鲜感暂时驱散了不安，渐渐地，乔安娜发掘出了在自己身上埋藏至深的女性魅力，在恩客们之间名声大噪。这段经历除了带给乔安娜心境上的急速变化之外，也给她的生活带来了不少的麻烦。
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.